Panels

Maddalena Pennacchia

Univ. Roma Tre, Italy

Lucia Esposito

Univ. Roma Tre, Italy

Cristina Cavecchi

Università degli Studi di Milano Statale, Italy

Victoria Bladen

U. Queensland, Australia

1. Creative Shakespeares and Time

    • 1: Lucia Esposito and Maddalena Pennacchia: ‘Creative transformations of The Taming of the Shrew and Romeo and Juliet for Rome Tre Radio: Podcasting Shakespeare as an Educational Model’
    • 2: Mariacristina Cavecchi: Creatively Subverting Time and Death: From Shakespeare’s Romeo and Juliet to TYPUS in a Juvenile Detention Centre.
    • 3: Victoria Bladen: Creative Cartographies, The Tempest and Time: an artbook project

Dympna Callaghan (Convenor)

Syracuse University, USA

Sophie Chiari

Univ. Clermont Auvergne, France

Lowell Duckert

University of Delaware, USA

Paul Innes

United Arab Emirates University

2. “Behold the poor remains alive and dead” (Titus Andronicus 1.1.70): Shakespeare’s Remains

  • 1: Dympna Callaghan “Time… consumeth all” (Philemon Holland, Moralia)
  • 2: Sophie Chiari “‘[W]ho can blame me to piss my tallow?’ (MWW, 5.5): Shakespeare and the Economy of Grease”
  • 3: Lowell Duckert “King of Snow” (Richard II 4.1)
  • 4: Paul Innes “Love as a Discursive Remnant: Shakespeare’s Pre-modern Sensibilities”

Marta Cerezo (Convenor)

UNED, Spain

Antonio Ballesteros

UNED, Spain

Luis Conejero-Magro

Univ. Extremadura, Spain

Jonathan P. A. Sell

Universidad de Alcalá, Spain

3. “Religion’s ‘living record’: religious receptions of Shakespeare across time and cultures”
  • 1: Luis Conejero-Magro“The ‘never-ending procession of churchmen’ in Shakespeare’s Richard III”
  • 2: Jonathan P. A. Sell,“The theological turn in eighteenth-century Shakespeare Criticism”
  • 3: Marta Cerezo “‘The Poet’s Debt to Arden’: industrialism, nostalgia, and the Shakespeare Sermon (1928-1931)”
  • 4: Antonio Ballesteros “Indian religious readings of the Shakesperean canon: critical approaches through time”

Andrea Stevens

University of Illinois, Urbana-Champaign

Richard Preiss

University of Utah

Alice Dailey

Villanova University

Chelsea Phillips

Villanova University

4. ‘A history to after-times’: Uncanny encounters with The Spanish Tragedy

  • 1: Andrea Stevens‘Kyd’s counterfactuals’
  • 2: Richard Preiss‘The rupture of my part’
  • 3: Alice Dailey ‘The Spanish Tragedy in the multiverse’
  • 4: Chelsea Phillips ‘Soliciting remembrance’

Rebeca Helfer (Convenor)

California-Irvine

Andrew Hiscock

Bangor UK/Montpellier 3

Silvia Bigliazzi

Verona

Johannes Schlegel

Hamburg

5. ‘The womb of time’: Shakespeare, Time, and Narrative’
  • 1: Rebeca Helfer “Telling Time in The Winter’s Tale: The Art of Memory and the Art of Storytelling”
  • 2: Andrew Hiscock “Othello and the ‘pliant hour’”
  • 3: Silvia Bigliazzi “Lear’s (No)Time: For a Phenomenology of the Tragic Sense of an End”
  • 4: Johannes Schlegel “But say, sir, is it dinnertime?”: Synchronization and the Production of Common Time in The Comedy of Errors”

Adeline Chevrier-Bosseau

Sorbonne Université

Jonas Kellermann (Convenor)

Univ. Konstanz

Stephen O’Neill

National Univ. Ireland Maynooth

Inma Sánchez-García

Univ. Edinburgh

6. Shakespeare’s Queer Afterlives
  • 1:Stephen O’Neill “On a queer adaptation of Shakespeare’s Sonnet 116”
  • 2: Inma Sánchez-García ‘Filming Shakespeare in Kenya: Queer Romeo and Juliet, Afro-bubblegum and the Temporality of Film’
  • 3: Adeline Chevrier-Bosseau ““Bless thee Bottom, thou art translated”: Emily Dickinson’s Queer Metamorphoses’”
  • 4: Jonas Kellermann ‘“Let me speak to the yet unknowing world“: Hamlet’s Queer Ghost(s)’

Andrew J. Power (Convenor)

Univ. Sharjah

Andrew Hadfield

University of Sussex

Eleanor Rycroft

University of Bristol

William E. Engel

Sewanee, University of the South

Hester Lees-Jeffries

St Catherine’s College, Cambridge

7. Lyric Shakespeare, 1594-98: Time Marches On
  • 1:Andrew Hadfield ‘The Time of Rebellion in Richard II and Henry IV, Parts One and Two’
  • 2: Eleanor Rycroft ‘Walking in Richard II and The Comedy of Errors’
  • 3: William E. Engel ‘Reconsidering Richard II and King John, Shakespeare’s only plays written entirely in verse’
  • 4: Hester Lees-Jeffries ‘Gloves in Love’s Labour’s Lost, Richard II, and Romeo and Juliet’

Rory Loughnane (Convenor)

Univ. Kent

Siobhan Keenan

De Montford University, Leicester

Adam Zucker

University of Massachusetts Amherst

Jennifer Richards

Peterhouse, Cambridge

Grant Williams

Carleton University

8. Lyric Shakespeare: Voice, Verse, and Time

  • 1:Siobhan Keenan ‘Shakespeare and His “Band of Brothers”: Writing for the Chamberlain’s Men 1594 to 1598’
  • 2:Adam Zucker ‘Disintegration of the Line: Shakespeare’s Patriarchal Lyric’
  • 3: Jennifer Richards ‘Shakespeare and Voice’
  • 4: Grant Williams ‘The Time of the Blazon in Love’s Labour’s Lost and The Merchant of Venice’

Aneta Mancewicz (Convenor)

Univ. London

Susanne Marschall

Univ.Tübingen

Erwin Feyersinge

Univ.Tübingen

Hannes Rall

Nanyang Technological University, Singapore

Wibke Weber

ZHAW Zurich Univ. of Applied Sciences

9. AI in Shakespeare Adaptation: Technological Opportunities and Ethical Challenges
  • 1: ‘AI and Theatre Adaptation of Shakespeare’
  • 2: ‘Virtual Faces and their new Realities’
  • 3: ‘AI and Animated Adaptation of Shakespeare’
  • 4: ‘Authenticity and AI: Redefining a Theoretical Framework for Generative Shakespeare Adaptation’

Ronan Paterson (Convenor)

Teesside Univ.

Ryuta Minami

Tokyo Univ. of Economics

Judy Celine Ick

University of the Philippines

Kinga Földváry

Pázmány Péter Catholic University, Hungary

Monique Pittman

Andrews University 

10. Shakespeare and The Invention of History
  • 1: Kinga Földváry “From a Historical Past to a Lived present: The History Plays in Central and Eastern Europe”
  • 2: Ryuta Minami “Apolitical, ahistorical and assimilated Histories in Japan: can Shakespeare’s History plays be (ire-) relevant to the Japanese spectators?”
  • 3: Judy Celine Icke “RD3RD and the Terrors of Temporality”
  • 4: Monique Pittman ‘(In)visible Histories: The Bard, Branagh, Brexit and Boris in “This England”’

Nicoleta Cinpoeş

University of Worcester

Nancy Isenberg

Università Roma Tre

Francesca Rayner

Universidade do Minho

Saffron Vickers Walkling

York St. John University

11. Appearances and disappearances, or What Ophelia’s Temporalities Do in Contemporary Dance and Theatrical Performance

  • 1: Nicoleta Cinpoeş ‘The most beautified Ophelia’ or The dead(ly) weight of European tropes and pressures on staged Ophelias’
  • 2: Nancy Isenberg‘Disjointed Rhythms: Dancing Ophelia in times of political crisis’
  • 3: Francesca Rayner ‘In a different time and place: Ophelia’s temporalities in contemporary Portuguese performance’
  • 4: Saffron Vickers Walkling ‘Not Waving But Drowning: Ophelia in Chinese appropriation’

Michael Saenger

Southwestern University

Laetitia Sansonetti

Université Sorbonne Nouvelle

Iolanda Plescia

Sapienza University of Rome

Gary Watt

University of Warwick

12. Archaistic Shakespeare

  • 1: Michael Saenger ‘“Unveiling Hermione and Other Deferrals”
  • 2: Laetitia Sansonetti “Shakespeare’s Use of Recent and Not-so-recent Borrowings: The Case of ‘Gloss’”
  • 3: Iolanda Plescia “Archaisms in Shakespeare: Translation, Triumphs and Tribulations”
  • 4: Gary Watt “The Moving Stability of Shakespeare’s Legal Lexicon”

Kay Stanton (Organizer)

California State University at Fullerton

Heather James (Convenor)

University of Southern California

Simona Laghi

Sapienza University of Rome

Paul Budra

Simon Frasier Univ.

Joan Fitzpatrick

Loughborough University

13. Traveling the ‘divers paces’ of Shakespearean Time
  • 1: Simona Laghi “‘Peace! Count the clock’: Collective Memory as Precedent of Law in Julius Caesar”
  • 2:Paul Budra “The Cursive Temporality of 2 Henry 4”
  • 3: Joan Fitzpatrick “‘From ashes ancient Gower is come’: Memory and Creativity in Pericles”
  • 4: Kay Stanton “‘Now entertain conjecture of a time’ for Quantum Shakespeare”

Margaret Tudeau-Clayton (Convenor)

Univ. Neuchâtel

Sarah Lewis

King’s College, London

Kristine Johanson

Univ. Amsterdam

Alison Findlay

Univ. Lancaster

14. Shakespeare and ‘the now’
  • 1: Margaret Tudeau-Clayton ‘“Time’s news”: Shakespeare’s ‘now’, early and late’
  • 2: Sarah Lewis ‘Macbeth’s empty moments’
  • 3: Kristine Johanson ‘Embracing ‘now’: transformation and erotic encounter in Venus and Adonis’
  • 4: Alison Findlay ‘Shakespeare Now and Then’

Elena Ciobanu (Convenor)

“Vasile Alecsandri” University of Bacau

Florența Simion

“Constantin Brăiloiu” Institute of Ethnography and Folklore, Bucharest

Anca Ignat

“Lucian Blaga” University of Sibiu

Oana Celia Gheorghiu

“Dunarea de Jos” University of Galati

15. “Not of an Age, but for All Time”: (Re)Translating Shakespeare’s Contemporaries into Romanian
  • 1: Elena Ciobanu ‘Hieronimo Is Mad Again – The Spanish Tragedy Revisited after 60 Years’
  • 2:Florența Simion ‘The Avatars of a Cliché: The Jew of Malta, by Christopher Marlowe’
  • 3: Anca Ignat ‘Pathos, Humour and Marlowe’s Mighty Line: Translating Dido, Queen of Carthage and Hero and Leander into Romanian’
  • 4: Oana Celia Gheorghiu ‘Translating George-a-Greene, The Pinner of Wakefield into Romanian. Not of an Age but for Our Time?’

Christina Wald (Convenor)

Univ. Konstanz

Reto Winckler (Convenor)

City Univ, Hong Kong

Sujata Iyengar

Univ. Georgia

Lesley G. Feracho

Univ. Georgia

Diana E. Henderson

Massachusetts Institute of Technology

16. Staging, Programming and Archiving Shakespearean Futures
  • 1: Sujata Iyengar and Lesley G. Feracho ‘“Crafting…a new way of living”: Racial Politics and Digital Paratexts in the RSC’s Much Ado About Nothing (2022)’
  • 2:Diana Henderson ‘Time Imagined, Time Spent: Challenges in Recovering Shakespeare’s Europe for a Global Future’
  • 3: Christina Wald ‘Unsettling Tempests in the Anthropocene: Post-Apocalyptic Retreats for the Super-Rich and a Romance of Ecofeminist Care’
  • 4: Reto Winckler ‘Shakespeare into Data: Utopian and Dystopian Potentials’

Anna
Wołosz-Sosnowska
(Convenor)

Polish Shakespeare Society

Ronan Paterson

Teesside Univ.

Yukari Yoshihara

University of Tsukuba

17. Shakespeare: Remembered Futures, Imagined Pasts. Shakespeare in Comics and Manga
  • 1: Yukari Yoshihara “Manga (Japanese graphic novels) and Shakespeare”
  • 2:Ronan Paterson “Pocket Money Shakespeare: How Shakespeare colonised comics”
  • 3: Anna Wołosz-Sosnowska “Adaptations and appropriations of 21st century Shakespearean comic books”

Joseph Campana

Rice University

Vin Nardizzi

Univ. British Columbia

Tiffany Jo Werth

Univ. California, Davis

18. Stor(y)ing Energy in Shakespeare and Beyond
  • 1: Joseph Campana On solar moments in Timon of Athens and King Lear and related moments of Renaissance humanism
  • 2:Vin Nardizzi On stories about heliotropes and the meaning/s of the sun for Shakespeare and his contemporaries
  • 3: Tiffany Jo Werth On early modern lunar fantasies of energy stores and storage – a focus on Sir John Harington
  • 4: Julian Yates On the motive power of repetition; the mythical figure of Ixion’s solar wheel or wheel of fire
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